Bad Boy Latino?

I have always been open minded to Latino rap. I've brought a substantial amount of it, from Latino Velvet (of which I am a big fan) "Raza Park" to alot of the CD's of Cypress Hill, probably one of my favorite groups of all time. I also like the Kid Power Posse, El General, Mellow Man Ace, and Lighter Shade of Brown. Of course Pun was another one of my favorites, in addition to Fat Joe. Then there are alot of those violent Mexican rappers all based in Cali, which I like but have very limited mass appeal.

Looks like P Diddy is looking to get into the Latino rap game (what's up with Diddy and Latinos, first J Lo now this LOL)with PitBull to create Bad Boy Latino. But I don't know if this is old news, after all, didn't he sell Bad Boy? Oh yeah, that was 50%.

Anyways, this news is bubblin' up through the industry, with stories on ChronicMagazine, and AllHipHop.

Note to Diddy: I hope your Latino talent is better than your black talent (think G Dep, Black Rob, etc.)

Thanks to GNextInc for the link!

Hispanics gangstas-the new Sambos?


Latinos as gang members-the same ol' same ol'.
Image from Chicago Hoodz

Now, it's a given in movies like "187" and "Training Day" that all hispanics are portrayed as violent gangbangers, but I've been noticing lately in the shows I've been watching such as The Shield on FX (in just about every episode)and Eyes (in tonight's episode) on ABC an overabundance of Latinos as these very stereotypes. Its always the same old stereotypes, which I thought went out with the movie Mi Vida Loca and the rapper Kid Frost!

The Latinos in the TV shows always talk the same way, they have these gang tattoos, and a penchant for random violence. To me, the problem is that these very shows don't balance these negative stereotypes with positive Latino characters. For a minority that is as diverse as it is, that is growing in terms of population, and that is becoming more politically influential, I would think that there should be more respect given to this group.

With the hype over illegal immigration, and the even worse hype of equating MS-13 with Al Queda as exemplified in this FBI memo, I think that there is a lot of hate for Latinos. People think that Latinos take everybodys jobs, they take advantage of so many social services, and they are more of a liability to this society in the eyes of many ignorant people. Also, they are different, and people are fearful of that which is different.

On that show I mentioned, "Eyes", there is a slick, well spoken black brotha who seems to represent those upwardly mobile African Americans who are confident, well dressed and succesful. That's a long way from "Huggy Bear" on Starski and Hutch. I guess we'll have to wait for the mainstream media to give the same respect to Latinos.

Reginald C Dennis playing Mother Goose

I was reading the whole article "The Greatest Story Never Told" where Reginald Dennis breaks down the whole story of what happened to him at the Source Magazine. I thought the article was very interesting and he had alot to say(in 3 whole parts!). I found it through the Can't Stop Wont Stop weblog, and it was on Hip Hop DX.What I liked was one reference to the present day corporate driven hip hop scene:

“One of many problems, I’m afraid. The industry is all about the hard sell and they make no secret of it. This youth market – the largest ever – will be the name of the game for the foreseeable future and with hip-hop already established as the world’s most effective delivery system, young consumers are about to be taken for a ride the likes of which we have never seen. But it’s not their fault, because until you are old enough to develop some semblance of critical reasoning, you will fall prey to every bright, shiny object that comes along. The industry is in the middle of the perfect storm and they plan to stay awhile. They are no longer compelled to listen to our wishes, and as consumers we don’t do nearly enough to voice our displeasure at the way things are going. So we get what we get.

I'd take into consideration Reginald Dennis's story about Ray Benzino's and David Mays relationship with a grain of salt (How'd "Made Men" get 4.5 stars?) only because he's pretty extreme in describing David Mays as a whiny lil' bytch. However, I know that the Source has been highly critical of Interscope Records, and though his story is pretty funny at the same time I'd have to counter with something I read in the Source about his magazine XXL and their relationship with Interscope records:

"When the Roots planned to go public with their displeasure with MCA records (a now defunct subsidiary of Interscope), it was rumored that the label threatened to pull advertising from the magazine. The interview was eventually published on Citypaper.net. For their compliance, XXL has seemingly been rewarded with non-stop financial support from Geffen/Interscope, whose artists in turn continue to get favorable review and press from the magazine." The Source May 2005 pg 120

Can the strong opinions he has towards his former co-workers at the Source be distinguished from his relationship and financial support he gets from Interscope Records? I don't know if I can trust him at his word.

Another thing about this interview is Reginald Dennis addressing the Source's beef with Eminem. If I remember correctly, XXL had a beef with Eminem 2 years before the Source had beef with him, but he is strangely quiet about it; he talks like "Who could ever possibly imagine beef with Eminem?" But strangely I remember XXL back in like 2000 dissing Eminem so much because he was white and doors were opening for him because of that, and Eminem on one of his songs dissing XXL, saying he brought XXL with a food stamp, so I don't understand:

This whole thing with Eminem, try as I might I really can’t figure out what the beef is. I mean, I know that Ray is going on and on about “the machine” and how it’s racist machinations sustain artists like Eminem at the expense of others, but I really don’t see it that way. If anyone has benefited from “the machine” it is Ray.

I wish I could pull out my old XXL magazines from back in the days when they dissed Eminem so much he wouldn't grant them an interview, and they had to piece together interviews from other sources. Now he wants to play innocent. How interesting.

In conclusion, though this article seems to be an eye opener, it is hardly "The Greatest Story Ever Told". I'll bet that 5 other people in the mix got stories to tell, I'd have to hear them all. As a whole, his interview is interesting, but Reginald C Dennis is lacking credibility in his story-telling in my opinion.

....And It Don't Stop!

It's not that I have lost interest in blogging. I have pretty much just been working so much. It's hard to keep track of what's going on in hip hop along with everything else in the world! I mean, you got the stuff going down at the Source, you got artists climbing the charts, and don't get me wrong, even at my age I can get into all the current hip hop trends, and I listen to stuff people don't mess with. But, I dunno, Im just bored with the hype.

I did find the last issue of the Source funny though. With the problems at the Source, and the fact that I've been reading the Source ever since I first saw it in a DJ store back in the day. But, it's funny how they gave such a great review to Benzino's album, and they basically dissed 50 Cent's album. I don't like either rapper really, but it trips me out, I mean, what would happen if they gave Benzino a bad review? Now that would be funny. I know that sounds inside out, but basically it's a fact that Benzino sucks. He was good in Almighty RSO for some things, but basically, well, he sucks. I even wasted 99 cents downloading that "Look Into My Eyes" nonsense, but couldn't get past the first couple of seconds. Hey Benzino, gimme my dollar back!

Anyways, Im listening to hip hop now more than ever because of my I Pod and between I Tunes and Emusic Im very much covered, but hip hop news just bores me. I will talk just from the perspective of what interests me at any given moment.

One thing, I have to give credit to the Source for being so obsessed with outing that snake Jimmy Lovine. In their last issue, they did an interesting commentary on how all the bad stuff that happens in hip hop goes back to him. From the Tupac thing all the way up to the 50/GAME beef, he is like the one who takes in all the profit, making money off of people's tragedy. I guess that's why I like the Source now, because I hate the scene now, but I wish that the main player in this was someone more credible than punk ass Benzino. Now, if it was Tupac himself who was a main player, that'd be the lick, but Benzino needs to give it up.

Sensitive Whites and Hip Hop

There was a track on Public Enemy's "Fear of A Black Planet" called Incident at 66.6 FM in which people are calling in to a right wing radio talk show and they are offended by Public Enemy. One of the callers was complaining about them after having seen them open up for the Beastie Boys. He said they were "scum" and anybody who liked them were scum to. Hell, Im proud to be given the "scum" label by the Right.

That is what I am reminded of when I read this entry on "Light of Reason"
entitled PATHETIC, OVERLY SENSITIVE WHITES THREATEN FREE SPEECH! This is about a speech given at a Catholic school in New Jersey by New Jersey Secretary of State Regina Thomas.

Many of the white students and faculty members were offended by what they called an overly confrontational and unprofessional speech by the secretary. Some felt she was calling them racist and a backlash on some black students fueled the fire.

"They don't know what it is like to open up your locker and see a KKK letter there. It's not the most comfortable feeling at all," said African-American student Kristen Minoh.

Im glad that Regina Thomas stuck her neck out and spoke her mind. After all, isn't free speech what this country is all about? Furthermore, I went to a Catholic School and I was the only black in my class, so I know that racism amongst the student body and the teachers as well is a given.

As for rap music, this makes me think of the song "Why" by Jadakiss where he asks "Why did Bush take down the towers?" I'm not one of those who goes out of their way to make such an assertion, but it's funny how the Bill O'Reilly types get pissed offed. I guess it is okay for the right wingers to say whatever racist crap they want, but when white students are called out for their racist behavior, as they should be, that is too much for people to touch. More power to those like Jadakiss, Public Enemy, and Regina Thomas.

Strobelyfe Entertainment

Check out the website for Strobelyfe Entertainment, its got some Screwed and Chopped stuff, news, events, mix CD's, all that.

Spring Break


I've finally discovered what the hell "Screwed And Chopped" music is. I've been only getting through numerous downloads to my Ipod from Emusic.com. So far, my favorite "Screwed" song is "Don't Take It Personal" by D-Bo, on his "Jealousy and Greed" CD. I basically like how they talk their talk, all slow and it just sounds more ill that way. I think you can only do that with that Southern rap, which is all good to me because I've been digging Southern rap ever since I got the Geto Boys album like 10 years ago. I also like this song "Dat's What Dat Is" by Paul Wall and Mike Watts off their album "Chick Magnet", that's also a good tune. I hear that if you're going down South to check out the Spring Break events, the locals will all be on that "Screwed and Chopped" tip, listening to that music.

As for Black Spring Break, I didn't know Freaknik was dead, since I went to the event back in 1997 and I saw that it was getting lame, in that you couldn't go down the street without cops being on your tail and shyt. I knew that when I came back from Freaknik that year that a) I wouldn't go back and b) Freaknik and stuff like it was going to get commercialized. To me, Freaknik was a word of mouth thing, promoted by party promoters, college students and whoever else wanted to go. It got bad to me when all the youngstas wanted to come out; I liked it when it was college kids getting together to have fun.

I've been to the Black College Reunion in Daytona Beach, Florida, which is happening this year on April 15-17, 2005. I went back in like 1995, and it was real ill back then. I only know what I know about The Kappa Beach Party (or Kappa Beach Fest?) in Galveston Texas( April 15 -17, 2005)because it's all over the internet, but I haven't been to Texas at all.

The Miami Springfest hosted by P.Diddy in Miami, Florida(April 29- May 2, 2005) is what I was referring to as the "commercialized" Beach Party. Now, Im not hating on P Diddy (who now is up to his ears in child support; you know that now he is up to paying $51,000 a month to Kim Porter and some other girl?), but this event has all the glitz and glamour and whatnot, it's on that "Spring Bling" shyt. I guess that would be another event which I have no date on yet, but I liked the Freaknik and Black College Reunion back in the day! I remember going to Freaknik back in 1994, when Too Short and Luke performed. Now that was the lick! But I wont go this year, Im too broke for all that.

Vibe Magazine:Merchant of Crap

Too much happening in the world. You know, after the whole 50/Game beef came and went, I set updating this blog at low priority. I just didn't know if I really gave that much of a damn what the rappers were doing or saying to one another. I will admit that the whole idea of "hip hop press" is lame, and these rapper beefs are totally for the brain dead. That would make for an interesting site in and of itself, but I don't know if I would waste my time with that.

With all that in mind and after witnessing the distasteful overexposure of the deaths of Terry Shiver and the Pope, today I got the latest Vibe, and that cover was disturbing as phukk. It has Tupac, a thinner Biggie and Jam Master Jay in black suits standing in front of a graveyard. Inside, they interview people associated with the three slain stars, but to me Vibe trying to get all gushy about something they had a hand in, including allowing Biggie and Tupac to go back and forth at each other because it was such a "hot story" back then, is sickening.

But that's the "Hip Hop Press" for ya; exploitative, intrusive and money hungry vultures. They are the hip hop counterpart of the Crappy News Network and the Crox of Shyt News Channel, which seems to take milking tragedy to monumental heights. Just like how CNN milked the whole Terry Shiver thing and then they milked the Pope's death to the hilt, and it was shameful in the Terry Shiver case because they really should have been left alone, Vibe once again shyts on the graves of Biggie, Tupac and Jam Master Jay for more CREAM.

If you believe the conspiracy theories about JMJ getting killed resulting from his associating with 50 Cent, then we can add him to the casualties of rap beefs which the hip hop press (XXL, Vibe, and even the Source in the past) makes all this $$$ from. And the new Vibe cover shows that culture-vulture Vibe magazine just won't let Biggie, Tupac or Jam Master Jay rest in peace. Their exploitation partially led to the deaths of Biggie and Tupac; and now these money-hungry bastards want more blood money. What a shame.

Civil Rights Leaders: Back Up Before You Disrespect
Hip Hop Again!!!
By: Adisa Banjoko

I’m tired of all these s-curl wearing, half baked Civil Rights leaders constantly blasting Hip Hop. They are like Black faced Bill Oreilly’s on Prozac spewing wackness constantly. They spit venom at today’s youth and their reaction to being poor, uneducated and socially outcast. They don’t go after the Bush Administration. That is the COWARDS way out. That has no trace of the courage, compassion or leadership of those before you.

The Black Christian church, for whatever reason has always had it in for Hip Hop. Were it not for Michael Eric Dyson and Cornell West, REDEEMING the notions of the Black church and their approach to Hip Hop,virtually all would be lost. Many left over Civil Rights leaders have had a lukewarm relationship with Hip Hop. This has helped widen the chasm between the Black generations ‘causing yet to be determined cultural damage.

Nevertheless, I see more and more so-called Civil Rights leaders trying to step in outta the blue and try to arrogantly judge the Hip Ho p community. They do this with no compassionate ear, no open eye, no softened heart and no warm embrace.

Every time Reverend Two Piece and Deacon Biscuit show up talking bad about Hip Hop is, I KNOW they are way off track. Every time somebody Black “leader” decides to take steamrollers and drive over some Hip Hop DVD’s and CD’s, I know Black leadership has ONCE AGAIN missed the ball.

Don’t tell me you don’t like 50, Dre, Em, Game, Lil John or whoever. Tell me who you do support?!? Why don’t you champion Common, or Mos Def? I never hear you telling people to go get De La Soul or Zion I!! Don’t tell me the Hip Hop you hate, tell us the Hip Hop you are for!!! You know what? You can’t tell us what Hip Hop you like because you DON’T’ LIKE HIP HOP!!! You’ve never even tried to KNOW Hip Hop!!!

You are not just enemies of “Gangsta rap”- you are an enemy of the entire sub-culture itself. That, or you are ignorant about the sub-culture. But you won’t admit it. So you don’t know what to champion, and just stay on attack mode.

I never hear you talk about the beauty of seeing b-girls set it off. I never hear you tell the kids the difference between vandalism and graffiti!!! I never see you commend the DJ’s for all their technological and creative innovations!!! I never hear about you telling kids to bring back that double dutch nation wide!!! You don’t know Hip Hop and therefore many of you are not fit to judge it or critique it. Yet you try to, for your own benefit.

What you fail to acknowledge is that Kanye West did more for the Black Church with ONE SONG, than has been done in the last 20-30 years. He showed Black children the beauty of Jesus. When was the last time you did that? But many in the Black Church tried to chastise the brother because he’s human- he has flaws. Kanye is able to reach out to the people you are afraid of. Would Jesus walk with the Republican party-liner’s wrapped in the Democratic cloth? Or would he walk with the poor and uneducated?

Kanye’s music is for the poor and uneducated because Hip Hop itself, is music for and about the poor and uneducated. People come to Hip Hop to have fun, to share information and get social, political and spiritual insight. Insight they no longer GET from the church.

Despite any issues one may have with Kanye, his music is more “Christ like” in that it is made for the poor. Unfortunately, much of the so-called Black leadership abuses the poor and uneducated. I think that’s why you hate Hip Hop. Maybe you are afraid of being exposed by 50 Cent. If 50 Cent wakes up and calls you out,you’d have big problems. Maybe that’s why you ignore Common, Kumasi the Roots and Dilated Peoples.

Talib Kweli told the ghetto youth that he was with them in their struggle to “Get By”…Meanwhile you drive by us in big caddy’s and we cant see you unless we putting money into the church.

Paris waged a “Sonic Jihad” on the media and the U.S. government by putting hard truth back into rap music. Where was your support then? I know you tried to get your picture taken with Michael Moore when he was in town….but you stayed away from Paris.

Hip Hop lovers from all races and faiths really got things jumping off politically in 2004. But you were TOO afraid of us to really get to know us and who to stand by….So you pretended to be friends…But you did not wanna get too close to us…Your inability to commit to the youth cost you the election because the youth would not commit to your half baked friendship!!

You better take the time to see Hip Hop for all the beauty it has. You better stop demonizing these young people and embrace them the way Jesus would, the way Prophet Muhammad would, the way Moses would…Because love is much closer to the prophetic tradition and spirit than hate. The root of hate is fear. If you would stop to know us, you’d stop hating us. And if you stopped hating us, I know you’d move to really help us. ‘Cause I’ll be the first to tell you, we need all the help we can get.

Adisa Banjoko is author of the controversial book
“Lyrical Swords Vol. 1: Hip Hop and Politics in the
Mix”, www.lyricalswords.com !!!

A day later

My first day after the incident I talked the stuff out with friends and got over it eventually. Yesterday in DC was crazy; apparently altogether three shootings happened that nightin close proximity to one another. I won't say which one I was closest to, but that is just off the chain.

I don't hate cops, but I do have a problem with cops when they have attitudes. DC cops have to deal with quite a bit, but really, to me, that's their job. To serve and protect, but not show a brotha disrespect. I just have a problem with police being rude to the people they are to serve, abusing their "power" and being straight a-holes.

I found this site, Policeabuse.org, it's pretty cool. That's for those who get beat down and beat the s--t out of by the cops. I don't have that problem, but I guess I shouldn't speak too soon.

How do I put this?

I don't have the words for it. You know, when you read about it, hear about it, and talk about it, stuff that goes down in the hood like drive bys and murders personally doesnt affect me. Experiencing it is a whole other deal that leaves me speechless.

Im not going to spell out all the circumstances, and as for info I know nothing, but in the hood I was at today there was a drive-by.

I sometimes think that I can just shrug it off, because since violence is something I hear about , read about, and talk about, I just figure it wouldn't affect me.

But what gets really deep are seeing the victims peoples start crying, and the victims being carried away in strechers. That is alot to take in.

It seems to be such a casual thing, due to the fact that even in hip hop a rapper dying is becoming a cliche. We see it in the movies, we read about it in the paper, and we hear about it so much in hip hop, and some of the most popular hip hop today seems to celebrate stuff like this.

It's like, when you heard that song on The Chronic "Rat-A-Tat-Tat", and when Snoop said "Never hesitate to put a nigga on his back", you thought damn, that was a dope song.

But, when I saw these guys carried away on a strecher and saw his peoples crying, that just stuck. When I got home, I just broke down. I'll admit it. I cried.

I cried about just the numbness. The numbness we all have towards life, the numbness I tried to display, the numbness that we all try to promote. Get Rich or Die Tryin just seems to be the rallying cry for misguided youth. I felt how sometimes the whole lifestyle alot of rappers promote leads right up to this.

As I said, about the incident, I know nothing, I didn't even see it all go down, but I feel pain and sadness.

As John Singleton put at the end of Boyz N the Hood, Increase the Peace. I guess that's the best way to put it.

Terry Shiver and a bunch of other stuff

First, I want to show this funny stuff I picked off of a Republican/Conservative website. This is a petition where the writers and signers are to brand Michael Moore a "traitor":

Don't let Moore get away with treason! Sign this petition urging U.S. Attorney General-to-be Alberto Gonzales to brand Moore a treacherous traitor guilty of seeking to undermine our nation's resolve to fight while giving aid and encouragement to our avowed enemies during a time of war!

Don't believe it's real and there are people out there who are serious about crap like this? Read on at Conservative Petitions!

Granted, even though this other blogger, I forgot his name, labeled me a "lefty" or whatever, I am growing sick and tired and cynical of politicians. Im tired of hypocrisy, tired of the sickening political atmosphere, tired of all the stupidity. That to me is the deal with this Terry Shiver thing, and thing is, the reality is that people all over the country deal with the issues this family are dealing with, and I refuse to believe that her life is more important than anybody else's. I refuse to believe it.

I'll never forget the movie John Q which was about a father who had to go to extreme measures to keep his son who needed a heart transplant alive despite hospital administrators who were about to let his son die because he didn't have the money. Call this movie the work of "liberal media elites", but really, if people don't have adequate health insurance and can't pay for expensive procedures, would they have to die? How many politicians would care enough to take up the cause of a poor broke single woman from the 'hood who's child is about to die because she has no money, no healthcare, and nothing else? Is this real or "liberal tripe"? Check out this article in USA Today.

More than 18,000 adults in the USA die each year because they are uninsured and can't get proper health care, researchers report in a landmark study released Tuesday.

And I thought this was a "culture of life"? A culture of life? What about this?

I don't endorse the idea of Universal Healthcare, but I really think that if this issue of keeping one person alive is addressed as though it is the only important thing in the world, I think that something that affects 18,000 adults every year should be addressed with the same urgency, media exposure, and "emergency" congressional debates that this one person has recieved.

Hip Hop Mellow?

This article Hip-hop mellow is saying that hip hop is going "middle class". The writer has a very active imagination, and fills the page with a fantasy of this image of "clean cut" hip hop.

The acclaimed West and his chart-topping R&B protege John Legend - along with the likes of the Black Eyed Peas and rappers Common and Talib Kweli - are spearheading a new musical movement that shuns the misogyny, gunplay, bloody revenge fantasies and mindless conspicuous consumption of a previous generation of hip-hop record makers and breakers.

Well, I disagree. The acts that he is writing about have been doing what they have been doing for years, so what is he talking about? They are an alternative, but hardly a "new" musical movement.

"It's the return of the middle-class rapper," says Todd Boyd, a hip-hop theoretician, author and professor of critical studies at the USC School of Cinema and Television. "In the '80s, it wasn't so uncommon."

LOL. What the f are they talking about?

"Jay-Z was really one of the first to start going preppy," said Zena Burns, music editor of Teen People, which closely covers the ebbs and flows of the hip-hop scene. "Pretty much whatever he does, everyone follows. He's a very sharp dresser - he moved away from looking like you're going to work out every time you hit the stage. So Jay opened the door for West's [mainstream] image and look."

Jay-Z going preppy? Huh?

Funny how people try to make up stuff. Kinda like this article. As usual, the mainstream press gets it all wrong.

Bush gettin' juice in the hood?

This is mad old, but I just caught this pic of Bush hanging with Ja Rule and Snoop. Is it real? You decide.

Plus:
Hot 97:An Arbiter of Hip-Hop Finds Itself as the Target


RIP Lyn "It Takes Two" Collins

Emmanuel Jal:There's rap in Kenya?


This article about Emmanuel Jal is about somebody who was a child soldier, and now he's a rapper. I'd say that most American rappers have nothing on him in terms of living rough. His story is an interesting one.

Learn more about him on World Music.com.
There is also an article in the BBC News, and the Sudan Tribune.

This about sums it up..........


This Boondocks comic stripsums up the Game/50 Cent situation nicely.

Jadakiss target of a hit?

Damn....I don't want to see another rapper dead.

Police may have foiled a late-night Chelsea hit on volatile hip-hop star Jadakiss yesterday — just hours after he released a new single targeting his bullet-prone rival 50 Cent, sources said.
Cops arrested four men with a loaded gun in a stolen black tow truck at around 3 a.m. at 21st Street and 10th Avenue.

They had been taunting Judakiss, a 29-year-old Yonkers-born rapper, who had just left a Hot 97 party at the Roxy with his bodyguards and a videographer.

Read more at Obvious News.

50 Cent's "Piggy Bank"

I finally downloaded 50 Cent's song "Piggy Bank" off Napster, and to me it is lame. Totally. The beat of course is tight, 50 gets the best beats in the industry, but 50 doesn't really bury his opponents the way he could have. He just shows how bad he and his opponents and other current rappers are.

I remember back in '84 the first time I heard "Roxanne's Revenge". Roxanne Shante did back in those ol' school days what 50 is doing now; taking on all the rap stars of her time. She came out dissing Run DMC, in "Bite This", she dissed Rob Base in "It Takes A Real Man" (on the Colors movie soundtrack), and then when she came out with "Big Momma", she dissed MC Lyte, Yo-Yo, Queen Latifah, and Salt N Pepa. She was the ultimate hater. KRS-One said it best "Roxanne Shante is only good for steady f--king".

In the end, like Roxanne, I think 50 is just playing himself. He's not going to get respect dissing people for merely associating with people he doesn't like. And how far will he go in carrying on his crusade? After all, Eminem, who is practically pimping him, did the "Lean Back" remix. His G-Unit associate, Lloyd Banks, did a song with the Alchemist, who is on Koch Records, a record label 50 Cent despises (he called it an "artists graveyard") if you believe what he is saying in the pages of his Vibe interview.

What's funnier though is the fickle little wannabe message board gangstas who are all of a sudden dissing Fat Joe and Jadakiss because of "Piggy Bank". They dis Fat Joe: "He needs to get off his fat azz and do some sit ups before dissing 50." Last summer, these same kids were all in their bedrooms jumping up and down on their beds playing "Lean Back" really loud despite their Mommys screaming "Turn that rap crap down!" These kids are dissing Jada, trying to say he's not "gangsta" because he went to college. These same kids were bumping Why? a few months ago, and actually wondered why "Bush knocked down the towers."

Getting back to 50 Cent though, I'd love to see 50 and Jadakiss go head to head in a rhyme battle. I've heard that Jadakiss challenged him, but like Nas did to Jay Z in declining a pay per view challenge when their so called beef fizzled, I think that this interesting match up will never see the light of day. Jada's diss response was weak, I'll admit, but 50 needs to prove how ill he isn't and step in the ring with Jada.

Commentory on today

First of all, I thought it was funny as hell that Michael Jackson showed up to trial in his pajamas. I'd like to do the same, show up all disheveled and casual like I just don't care. At this point, MJ shouldn't care. People are out to get him for his money, and the media machine is shamelessly exploiting his story.

Talking about shameless exploitation, this whole thing with Game and 50 is just a joke. A truce? Cmon, this was some straight up BS! Fake, just a way to sell a bunch of records. However, I was sleeping on GAME, as I heard his jam "Dreams" on a DJ Clue mix CD, and I actually thought he was hot on that track. It was pretty deep, how he was relating his dream to those of Martin Luther King, Huey Newton, and fallen rap icons like Left Eye and Tupac. Then, he ends it with a dedication to Venus and Serena William's sister who died in crossfire in a Crips/Bloods shootout. He even named the date and time of that event. So, GAME has some potential, but this truce thing, I'm not really feelin' it.

Just would like to welcome the various 5% Nation bloggers like the C'BS ALife Allah of the Journal of Allah's Five Percent. I'm not a 5 percenter myself but it is good to see these brothers coming to this blogosphere, and I'd rather read what they write as oppossed to putting up with all these Right Wing nutcases and their crap.

Heard the Fat Joe dis cut directed at 50 Cent, and I have to say that honestly I liked Ja Rule's "Loose Change" better, but that jam never got radio play. Joe's cut, called "Curtis Jackson", was alright. It was so-so. Will 50 destroy Joe's career? I hate to think that 50 actually destroyed Ja's career. I actually don't think he did. Ja was coming out with some BS albums, he was trying to say he was 2Pac resurrected, and his musical formula was becoming monotonous and the crossover hip hop fans weren't feeling it. Once you lose them, then it's over. Let's not forget the legal problems Murder Inc (AKA The INC.) ran into being associated with big time drug dealers.

However, with Joe and Jadakiss, I guess only time will tell if 50's jabs will destroy their careers. I think Fat Joe thinks more people like him than they actually do, and as for Jada, he's struggling to get some kind of recognition and to finally get that classic album out; this task seems to evade him. Fat Joe will be out but he's been in the game long enough, he's got his money, and he could retire with dignity. Jada could take 50 Cent on, and possibly embarrass him. I guess we will see how this plays out. I'd be dissapointed if it all fizzled like Nas vs. Jay or Jadakiss vs. Beanie Siegel. Chances are, this probably will.

Will Hip Hop be banned?

Seems that I am sensing a strong backlash against hip hop culture, or what is negative hip hop culture, epitomized by 50 Cent and Nelly. Their whole value system is based on just money, hos, and dollars, and I know that all in all it's wrong for hip hop to go that route, but I don't want to see it banned.

I like Essence Magazine's Take Back the Music series, which is mostly a woman's magazine attacking a sexist culture. Hip hop has always had a sexist vibe to it, especially when it has in the past been connected to the Pimp Game which it has nothing to do with, even though Too Short is one of the first to blow up the Bay Area out West. Personally, I feel that if women want to gyrate and model in videos there is nothing wrong with that; it's an image and I don't feel that this content has to be banned from videos, like the ever popular "Tip Drill".

I've seen the Tip Drill video on a bootlegged copy of one of Buckwild's X-rated shows, and you know what? That is where it belongs. This is young adult entertainment for those over the age of 18 or 21, whatever you feel the legal age is. Just like Richard Pryor's and Redd Foxx's nasty records were kept away from kids generations ago, this to me is the same thing. However, I don't understand the demands of the people who don't like Nelly. Do they want the music to never be made? Do they want Nelly to disappear? Should he scale back on his artistic expression? How would the world be a better place if a video such as Tip Drill was never made?

I just feel it should be kept out of young kid's hands, but I'm concerned about other people's agenda of wanting to ban this stuff.

I guess the argument is very complex now, and the factors are so overwhelming. There is the breakdown of the family in all of society's sectors, there is the corporatization of rap where all these big entertainment and media companies promote hop hop that makes the most money to a younger audience with no sense of accountability or responsibility. Also, a more whiter audience has emerged in the last ten years, and they are eating up Eminem, 50 Cent and G Unit, and Nelly, and that is causing concern that probably would never have emerged if the audience was only black, ethnic, inner city kids as imagined.

However, the conflict between the 2 camps: preachers, concerned parents, politicians, and activist college students on one hand and hip hop artists on the other will continue as it always has. In the middle are the hip hop purists, who took a stand against the Hot 97 machine of rumors, lies and BS music.

In the end, I feel that hip hop purists should take a stand and determine what will go down in hip hop because what they say matters more than what woman's magazines, campus busybody's, entertainment and media conglomerates, no-talent opportunists and their crews, right wingers and other such characters think. If hip hoppers themselves don't try to correct the situation or come up with what should be done, then this right wing oligarchy we call a democracy will step in and ban it in the name of "protecting the children", whatever that means.